The Paper Peacock Series: The Workplace Comedy You Didn’t Know You Needed

So, What’s the Deal With This Show?

Alright, let’s discuss The Paper Peacock Series—since, to be honest, it sounds like the kind of show that might either be fantastic or a complete disaster. And I find odd interest in learning which one it will be.

You know every few years, a workplace comedy that just gets it arrives? The Office carried out it. Parks and Rec worked on it. Even Superstore had its occasional flash. Peacock’s throwing its hat in the ring with The Paper, a mockumentary about a dying newspaper, now intrigues me.

The truth is, though, this is not merely The Office with reporters. Domhnall Gleeson, yes the man from Ex Machina and Star Wars, is playing a stressed-out editor trying to save his paper. That is already an unusual mix. Let us therefore dissect it: Why should you be interested? More crucially, will it really be good?


Wait, Is This Just The Office But With Newspapers?

Kinda, But Also Not Really

Okay, yes, it’s a mockumentary. Yes, there are awkward interviews. And yes, the humor is very “cringe-laugh-into-your-hands” style. But The Paper Peacock Series isn’t just rehashing Dunder Mifflin.

For one, the stakes feel different. These aren’t paper salespeople—they’re journalists watching their industry crumble. That adds a layer of real-world stress that The Office never had. (Unless you count Michael Scott’s constant fear of being fired, which, fair.)

Why a Newspaper Is a Genius Setting

Think about it:

  • The characters write themselves. You’ve got the jaded crime reporter who’s seen too much, the overly optimistic intern, the editor who’s this close to a nervous breakdown… it’s a goldmine.
  • Small-town news is weirdly dramatic. Missing pets, town hall meltdowns, that one local politician who’s definitely hiding something—The Paper could have endless material.
  • The whole “print is dying” thing. There’s something darkly funny about people desperately trying to save a sinking ship.
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So yeah, it’s got Office vibes, but with a sharper, almost Succession-lite edge. (Just with fewer billionaires and more coffee-stained notebooks.)


Hold Up—Domhnall Gleeson Is in This?

Yeah, and It’s Kinda Perfect?

When I first heard Domhnall Gleeson was starring in a workplace comedy, I was like… *wait, the guy from *About Time* and Star Wars? The one who usually plays sad, serious dudes?*

Turns out, he’s perfect for this. He’s playing Ethan Calloway, the managing editor of The Buffalo Bulletin, and from what we’ve heard, he’s basically the straight man in a room full of chaos. Think Jim Halpert, but with more existential dread.

Why He Might Steal the Show

  • That dry, deadpan delivery. Mockumentaries live on awkward pauses, and Gleeson can do so much with just a look.
  • He’s not playing Michael Scott 2.0. His character’s not the clueless boss—he’s the guy dealing with the clueless people. That’s a fresh take.
  • He can flip from funny to heartbreaking in seconds. This show’s not all jokes—there’s real emotion here, and Gleeson can handle both.

Honestly, this might be the role that finally makes people realize, Oh, this guy’s actually hilarious.


Is Peacock Desperate for a Hit? (Probably.)

Let’s be real—Peacock’s biggest claim to fame is still The Office reruns. They need their own Ted Lasso, and The Paper Peacock Series might be it.

Why This Could Work

  • People love workplace comedies. We all miss The Office, and this could fill that void.
  • The premise is weirdly timely. Local news is struggling everywhere—this show could be funny and kinda poignant.
  • The cast looks stacked. Gleeson’s the lead, but rumors say the supporting cast is full of underrated comedy gems.
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Why It Could Flop

  • If it’s too much like The Office, it’ll feel like a knockoff.
  • If it’s too dark, it’ll lose the comedy.
  • If the writing’s not sharp, it’ll just be… sad.

But hey, I’m optimistic. Or at least curious.


Final Thoughts: Should You Watch It?

Look, I don’t know if The Paper Peacock Series will be amazing. But I do know it’s got potential. The cast is great, the setting is fresh, and if the writing’s on point, this could be Peacock’s first real must-watch comedy.

So yeah, I’ll be tuning in. Worst case? It’s a mess, and we all move on. Best case? We get a new favorite show. Either way, I’m here for it.

Now, if you’ll excuse me, I need to go pitch my idea for a Paper spin-off about a struggling llama sanctuary. Also read about Michael Jordan.

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